Creating in Crisis – Systems of Creativity and Improvisation
COVID-19 has shown the incompatibility of certain cultural practices and modes of behaviour with continued human life. We have been thrusted into unprecedented territory and now find ourselves rebuilding on shifting grounds. Responding to crisis can feel passive reaction. However, it can also be an active process that creates new transitory forms and (re)discovers very old practices of action, hidden under the golden rules of art. What does it mean to design and create in the presence of uncertainty? How can we use that precariousness to our advantage?
In thinking about generative modes of production and collaboration, improvisation (re)appears as a viable methodology to lean on during our endeavours toward future building. The line between improvisation and chaos is extraordinarily thin: the former denotes spontaneityand frugality, creating with what you have, while the latter points to a temporality of utter confusion and disorder. Though both phenomena may possess some of the qualities of the other in a relationship of permanent interactivity, they remain distinctive irrespective of these qualities in that improvisation tends to have systems or structures in place that can be abandoned at any time in favour of Free Space and play.
The famous late medieval physician Paracelsus described his art of healing (and alchemy) as “wandering in chaos”. This kind of art is rooted in constant interaction with and acceptance of spontaneous events. Similarly, improvisation spans across all disciplines, from performance art to quantum physics, and functions on the most micro-and-macroscopic of levels, from the symbiosis of single cell organisms to inter-species evolution. It signals intelligence, heightened communication, and adaptability, all of which are crucial to the survival of our species, our fellow nonhuman neighbours, and our planet.
Mikolaj Sekutowicz, Marcus Fairs, Jeewi Lee, Sarah Wilson, Julieta Aranda
Historically, city planning has had a one size fits all approach, but we are increasingly becoming aware of the harm and inefficiency of this outlook, especially considering the growing globalization of our networks. Wellness comes from being in harmony not just with our internal landscape, but our external environments as well. No change can happen without taking all intrinsic cultural practices into account. Reaching this homeostasis requires listening, presence, and trust. How can we design cities that create pockets of space for this type of relationality? How can improvisation manifest in stable architectural structures, and also in the relationships these structures hold?
To ensure the viability of future life, large-scale cultural adaptation is now needed. Bringing together cultural producers, artists, architects, activists, and designers, this interdisciplinary session will consider the role of culture in this widest possible sense, exploring the urgency in developing new cultural technologies and improvisatory practices in harmony with human and environmental health.
1. How can we integrate improvisation into our creative and collaborative processes? 2. How have you remained grounded in your work in the midst of such precarious times? 3. Which cultural and design adaptations are necessary to redesign the city in response to COVID-19? 4. How do improvisational techniques manifest in your practice? 5. Are there any examples of architecture, design, and/or urban planning finding innovative solutions through unplanned detours? 6. How can the current public health crisis be understood as a cultural problem and how can culture help to solve it? 7. How can the cultural and creative sector participate in problem solving and communication between other diverse disciplines? 8. What is your role in the current political and health crises? How does your work affect positive change?
Mikolaj Sekutowicz, CEO and Curator, Therme Art (Co-Moderator) Sarah Wilson, Professor of Modern and Contemporary Art History at the Courtauld Institute of Art Joulia Strauss, Artist, Activist and Multimedia Sculptor Julieta Aranda, Artist and Editor of E-Flux Journal Johann König, Galerist König Galerie Jeewi Lee, Artist Marcus Fairs, Founder and Editor-in-Chief, Dezeen Matana Roberts, Multidisciplinary Artist, Composer and Saxophonist
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