Growing Gaia

Date
2020
Location
Berlin
Event
Berlin Art Week, Gallery Weekend Berlin
Keywords
Gaia Hypothesis
Wellbeing Culture Forum
Messe in St. Agnes
With
Hans Ulrich Obrist
Tomás Saraceno
Francis Kéré
Cyrill Gutsch
Egill Sæbjörnsson
Lucia Pietroiusti
Stefano Mancuso
Tue Greenfort
Abuelo Antonio Oxté
Salome Rodeck
James Lovelock

Growing Gaia I & II was a series of two Wellbeing Culture Forum talks that took place at Messe in St. Agnes on 11 September as part a extended programme during Berlin Art Week and Gallery Weekend Berlin. In times of COVID-19 and widespread separation, these focused discussions aimed to examine the Gaia hypothesis and explore and develop ideas of symbiosis.

The Gaia Hypothesis was proposed by Lynn Margulis and James Lovelock in the 1970s. Margulis, a world renown biologist who died in 2011, is regarded as a modern-day Copernicus of biology who fought tirelessly to replace the Neo-Darwinist gene-centric view of evolution with an evolutionary theory that emphasises symbiosis and symbiogenesis––the merging of two different life forms to create a new species––as its core principle. Integrating her microscopic focus with the large-scale research of atmospheric chemist James Lovelock, together they developed the Gaia Hypothesis as a scientific proposal that conceptualises the surface of the Earth as a single ecosystem that––from a physiological point of view––acts like a living entity. As such, Gaia contrasts the idiomatic ‘Survival of the Fittest’ with a worldview that stresses networking, co-evolution and co-presence.

What has provoked radical discussions in scientific circles since the 1970s has become ubiquitous outside theoretical space. In the Anthropocene era, humanity is becoming more aware of the ways in which it is decisively influencing and accelerating the planet’s processes. During the COVID-19 pandemic, most recently, it is becoming inescapably clear how closely biological, social, medical, and cultural processes are interwoven. COVID-19 calls on us to simplify the structure of our lives and to rethink standardised and scalable monocultures.

This talk asked how we can turn this hypothesis into concrete action. Actors from different disciplines spoke on the possibilities both within their fields and from interactions with others. Precisely in the latter, despite the long periods of scientific failure to think outside the box, techniques have been preserved and developed to reflect on symbiotic connections between nature and culture. Thus, the question of culture tied the talk together.  If we want to act in the spirit of Gaia, we must rethink our culture, taking inspiration from observing nature and actively nurturing our symbiosis with the environment. This would involve city planning, agriculture, and medicine just as much as issues of global networking and production. Considering Gaia, the talk strove to address a new art of action and to reimagine practical forms of design and examples from architecture, urban planning, technology, and health policy.

The work of professor and pioneer of plant neurobiology, Stefano Mancuso, for example, examines symbiotic and communicative relationships in nature. Providing evidence of plant intelligence that opposes the superiority of humans, his research help us to understand why examining these relationships are key to preparing humanity for the future.

If we believe that we must connect to the complex systems of nature in order to create a new balance, then we probably can’t build anymore––we should learn to grow! This is precisely why “Growing Gaia” was founded as a series. In the coming months, it will consider symbiotic possibilities with other sessions including: “Culture of Materials”, “City of Trees”, “Culture and Extinction”, and “Molecular Culture”.

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1. How does our viewpoint and scope of action change when we replace the principle of cause-and-effect with the Gaia hypothesis in various fields?

2. Lynn Margulis sees symbiosis, not the misunderstood idea of “survival of the fittest”, as the main factor in evolution. How could this standpoint change the ethics and form of our planning for the future?

3. Our economic system, too, is shaped by the idea of competition. How is a symbiotic approach to economics imaginable, beyond social-romantic utopias?

4. Can art play a central role in how we rethink our activity in the world? How could aesthetics learn from natural forms without betraying its freedom and anarchy?

5. How can nature be the basis for both culture and technology?

Hans Ulrich Obrist

Swiss art curator, critic, and art historian; Artistic Director at the Serpentine Galleries, London

Tomás Saraceno

Francis Kéré

Founder and Lead Architect of Kéré Architecture

Cyrill Gutsch

Founder/CEO, Parley for the Oceans

Egill Sæbjörnsson

Egill Sæbjörnsson is an Icelandic artist and musician based in Reykjavik and Berlin. A graduate of the Icelandic College of Arts and Crafts and the University of Paris, Saint-Denis, his interdisciplinary practice merges visual art, music, performance, and technology. Sæbjörnsson creates immersive environments that blur the boundaries between installation, sculpture, and stage design, where everyday objects come to life through animation, sound, and projection. Playful yet reflective, his works explore perception, imagination, and the relationship between the physical and the virtual, often blending humour with poetic sensibility.

Lucia Pietroiusti

Head of Ecologies at Serpentine, London, and Curator, Lithuanian Pavilion at the 58th Venice Biennale Arte 2019

Stefano Mancuso

Tue Greenfort

Artist

Abuelo Antonio Oxté

Mayan Shaman

Salome Rodeck

James Lovelock

The late English independent scientist, environmentalist, and futurist, best known for proposing the Gaia hypothesis

Photographs

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